Dushanbe vs Opera

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Dushanbe (Tajik: Душанбе, IPA: [duʃæmˈbe]; significance Monday in Persian) is the capital and largest city of Tajikistan. As of January 2020, Dushanbe had a population of 863,400 and as of 2010 that population was largely Tajik. Until 1929, the town was known in Russian as Dyushambe (Russian: Дюшамбе, Dyushambe), and from 1929 to 1961 as Stalinabad (Tajik: Сталинобод, Stalinobod), after Joseph Stalin. Dushanbe is located in the Gissar valley, bounded by the Gissar Range in the north and east and the Babatag, Aktau, Rangontau and Karatau mountains in the south, and has an altitude of 750--900 m. The town is divided into four districts, all named after historical figures: Ismail Samani, Avicenna, Ferdowsi, and Shah Mansur. In ancient times, what is currently or is near modern Dushanbe was settled by different empires and individuals, including Mousterian tool-users, various neolithic cultures, the Achaemenid Empire, Greco-Bactria, the Kushan Empire, and the Hephalites. In the Middle Ages, more settlements started near modern-day Dushanbe such as Hulbuk and its famous palace. In the 17th century to the early 20th, Dushanbe started to grow into a market village controlled at times by the Beg of Hisor, Balkh, and eventually Bukhara. Soon after the Russian invasion in 1922, the city was made the capital of the Tajik Autonomous Soviet Socialist Republic in 1924, which initiated Dushanbe's development and rapid population growth that lasted until the Tajik Civil War. Following the war, the city became capital of an independent Tajikistan and continued its growth and development into a modern city which now is home to many international conventions. Dushanbe's modern culture had its beginnings in the 1920s, where Soviet music, cinema, theatre, sculpture, film, and sports all started.

Music, primarily shashmaqam before the Soviet invasion, took off in the city as a result of Russian influence and local opera houses and symphonies. Tajik figures like Sadriddin Ayni contributed greatly to the development of Dushanbe's literature, which went through many changes during and after the Soviet period. Theater and movie both saw their infancy in the 1930s and were heavily influenced by Soviet tendencies. The design of Dushanbe, once neoclassical, transitioned to a minimalist and eventually modern style. The town is a centre for newspapers, radio stations, and television of the nation, with almost 200 newspapers and over a dozen television studios working in 1999. A lot of Dushanbe's education system dates from Soviet times and has a legacy of state control; even now, the greatest university in Dushanbe, the Tajik National University, is funded by the government. Dushanbe International Airport is the principal airport serving the city. Other forms of transport include the trolleybus system dating from 1955, the small rail system, and the streets that traverse the city. Dushanbe's electricity is primarily hydroelectric, produced from the Nurek Dam, and the aging water system dates from 1932. Tajikistan's health care system is concentrated in Dushanbe, meaning that the major hospitals of the country are in the city. The city constitutes 20 percent of Tajikistan's GDP and has large industrial, financial, retail, and tourism businesses. Parks and main areas of the city include Victory Park, Rudaki Park, the Tajikistan National Museum, the Dushanbe Flagpole, and the Tajikistan National Museum of Antiquities.

Source: Wikipedia

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Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theatre. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as musical theatre, Singspiel and Opéra comique. In traditional number opera, singers employ two styles of singing: recitative, a speech-inflected style, and self-contained arias. The 19th century saw the rise of the continuous music drama. Opera originated in Italy at the end of the 16th century (with Jacopo Peri's mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L'Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his "reform" operas in the 1760s. The most renowned figure of late 18th-century opera is Wolfgang Amadeus Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le nozze di Figaro), Don Giovanni, and Così fan tutte, as well as Die Entführung aus dem Serail (The Abduction from the Seraglio), and The Magic Flute (Die Zauberflöte), landmarks in the German tradition.

The first third of the 19th century saw the high point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini all creating works that are still performed. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer. The mid-to-late 19th century was a golden age of opera, led and dominated by Giuseppe Verdi in Italy and Richard Wagner in Germany. The popularity of opera continued through the verismo era in Italy and contemporary French opera through to Giacomo Puccini and Richard Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Arnold Schoenberg and Alban Berg), Neoclassicism (Igor Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso and Maria Callas became known to much wider audiences that went beyond the circle of opera fans. Since the invention of radio and television, operas were also performed on (and written for) these media. Beginning in 2006, a number of major opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. Since 2009, complete performances can be downloaded and are live streamed.

Source: Wikipedia